片名:《马隆布拉[电影解说]》
类型:短剧
上映时间:1942
上映地区:其它
导演:Mario Soldati
主演:Isa Miranda,Andrea Checchi,Irasema Dilián,Gualtiero Tumiati,Nino Crisman,Enzo Biliotti,Ada Dondini,Giacinto Molteni,Corrado Racca,Luigi Pavese,Nando Tamberlani,Doretta Sestan,Paolo Bonecchi,Elvira Bon
集数: 更新至0集
语言:
【智诚影院】提供的短剧马隆布拉[电影解说]，讲述了一个平凡生活中的故事，马隆布拉[电影解说]故事中的每个人物个性饱满，性格鲜明；故事仿佛就发生在观众的身边，观众可以跟随马隆布拉[电影解说]的剧情，进入一个不一样的影视世界，与马隆布拉[电影解说]剧中的人物发生共鸣。
《马隆布拉[电影解说]》观后点评：马隆布拉[电影解说]剧情朴实，平凡中透着伟大，马隆布拉[电影解说]的演员Isa Miranda,Andrea Checchi,Irasema Dilián,Gualtiero Tumiati,Nino Crisman,Enzo Biliotti,Ada Dondini,Giacinto Molteni,Corrado Racca,Luigi Pavese,Nando Tamberlani,Doretta Sestan,Paolo Bonecchi,Elvira Bon深刻理解了马隆布拉[电影解说]的故事脉络和人物特性，通过精湛的演技，演活了每个马隆布拉[电影解说]的剧中人物。
《马隆布拉[电影解说]》抖音网友点评：马隆布拉[电影解说]的故事就发生在我们身边，马隆布拉[电影解说]的演员Isa Miranda,Andrea Checchi,Irasema Dilián,Gualtiero Tumiati,Nino Crisman,Enzo Biliotti,Ada Dondini,Giacinto Molteni,Corrado Racca,Luigi Pavese,Nando Tamberlani,Doretta Sestan,Paolo Bonecchi,Elvira Bon演技实在厉害，不管是故事的呈现还是演技和表情的表达上，都紧紧抓住了观众的心，让观众在欣赏这部马隆布拉[电影解说]短剧的同时，不断发生共鸣。
马隆布拉[电影解说]的剧情讲述了：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream. Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge... What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent. It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!Copyright © 2015-2020 All Rights Reserved
