片名:《没有和解》
类型:剧情片
上映时间:1965
上映地区:其它
导演:让-马里·斯特劳布,达尼埃尔·于伊耶
主演:Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,
集数: 更新至0集
语言:其它
【智诚影院】提供的剧情片没有和解，讲述了一个平凡生活中的故事，没有和解故事中的每个人物个性饱满，性格鲜明；故事仿佛就发生在观众的身边，观众可以跟随没有和解的剧情，进入一个不一样的影视世界，与没有和解剧中的人物发生共鸣。
《没有和解》观后点评：没有和解剧情朴实，平凡中透着伟大，没有和解的演员Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,深刻理解了没有和解的故事脉络和人物特性，通过精湛的演技，演活了每个没有和解的剧中人物。
《没有和解》抖音网友点评：没有和解的故事就发生在我们身边，没有和解的演员Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,演技实在厉害，不管是故事的呈现还是演技和表情的表达上，都紧紧抓住了观众的心，让观众在欣赏这部没有和解电影的同时，不断发生共鸣。
没有和解的剧情讲述了：The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.Copyright © 2015-2020 All Rights Reserved
